Main
WPM056 JAMES BERKELEY - Glitch
Beginning with a triumphant synth melody that builds to the first drop at 00:38. A bass led melody features predominantly with a tough, glitchy drum line. The synth returns at 01:15 adding another layer of drums before the breakdown at 02:28.
Main
WPM056
JAMES BERKELEY - Glitch
03:26
Beginning with a triumphant synth melody that builds to the first drop at 00:38. A bass led melody features predominantly with a tough, glitchy drum line. The synth returns at 01:15 adding another layer of drums before the breakdown at 02:28.
03:26
105 BPM
Main
WPM056 JAMES BERKELEY - Glitch
Opening with a warm synth and reverberating drums, the track hits the ground running at 00:28 with a garage drum beat, soft bass line and cool quirky pitched tin drums. At 01:39 the track gains pace, introducing a new synth layer before returning to the main melody at 01:57.
Main
WPM056
JAMES BERKELEY - Glitch
02:36
Opening with a warm synth and reverberating drums, the track hits the ground running at 00:28 with a garage drum beat, soft bass line and cool quirky pitched tin drums. At 01:39 the track gains pace, introducing a new synth layer before returning to the main melody at 01:57.
02:36
135 BPM
Main
WPM056 JAMES BERKELEY - Glitch
Off beat kicks and tom drum hits sit perfectly alongside the quirky and distinctive pitch bending lead synth, making this a truly unique track.
Main
WPM056
JAMES BERKELEY - Glitch
03:37
Off beat kicks and tom drum hits sit perfectly alongside the quirky and distinctive pitch bending lead synth, making this a truly unique track.
03:37
105 BPM
Main
WPM056 JAMES BERKELEY - Glitch
Warm pad chords and subtle percussion begin this track, at 01:30 the main theme starts introducing new synth melodies. At 02:15 the mood changes to a darker, bassier tone with more chaotic kick drum patterns before returning to the main theme at 03:00.
Main
WPM056
JAMES BERKELEY - Glitch
05:03
Warm pad chords and subtle percussion begin this track, at 01:30 the main theme starts introducing new synth melodies. At 02:15 the mood changes to a darker, bassier tone with more chaotic kick drum patterns before returning to the main theme at 03:00.
05:03
85 BPM
Main
WPM056 JAMES BERKELEY - Glitch
Soft ethereal pads, reversed strings and a kick drums begin this track. At 01:13 the main theme drops with stuttering synths and glitchy drums giving this track its unique and unsual sound.
Main
WPM056
JAMES BERKELEY - Glitch
03:18
Soft ethereal pads, reversed strings and a kick drums begin this track. At 01:13 the main theme drops with stuttering synths and glitchy drums giving this track its unique and unsual sound.
03:18
131 BPM
Main
WPM056 JAMES BERKELEY - Glitch
Big, brash and edgy with a dirty bass synth providing the melody and a heavy kick drum driving the beat. At 00:35 the vibe changes, darker and more punchy with a pulsating raw synth. A lead synth adds another melody which bends with the bass line. Distinctive and stand-out, will bring any image to life.
Main
WPM056
JAMES BERKELEY - Glitch
03:13
Big, brash and edgy with a dirty bass synth providing the melody and a heavy kick drum driving the beat. At 00:35 the vibe changes, darker and more punchy with a pulsating raw synth. A lead synth adds another melody which bends with the bass line. Distinctive and stand-out, will bring any image to life.
03:13
110 BPM
Main
WPM056 JAMES BERKELEY - Glitch
Opening with soft organ chords and a glitchy drum pattern before being joined by powerful rolling tom fills and swelling synths. A breakdown occurs at 01:56.
Main
WPM056
JAMES BERKELEY - Glitch
04:09
Opening with soft organ chords and a glitchy drum pattern before being joined by powerful rolling tom fills and swelling synths. A breakdown occurs at 01:56.
04:09
132 BPM
Main
WPM056 JAMES BERKELEY - Glitch
A low pass filter slowly opens up the track, building to the first drop at 00:26. Pitch bending synths and hard hitting glitchy drums are the order of the day with the drums becoming increasingly crazier as the track progresses. Dirty and tough, but with a positive quirkiness that sets this track apart.
Main
WPM056
JAMES BERKELEY - Glitch
03:06
A low pass filter slowly opens up the track, building to the first drop at 00:26. Pitch bending synths and hard hitting glitchy drums are the order of the day with the drums becoming increasingly crazier as the track progresses. Dirty and tough, but with a positive quirkiness that sets this track apart.
03:06
110 BPM
Main
WPM056 JAMES BERKELEY - Glitch
Haunting pads and delayed percussion open this dark and moody track, slowly building to a massive drop at 00:56. 'Machine gun' like kick drum rolls provide the basis of the drum pattern, becoming increasingly heavier as the track progresses. Totally crazy and full of energy, a track that would fit perfectly into an action / sci-fi trailer.
Main
WPM056
JAMES BERKELEY - Glitch
02:39
Haunting pads and delayed percussion open this dark and moody track, slowly building to a massive drop at 00:56. 'Machine gun' like kick drum rolls provide the basis of the drum pattern, becoming increasingly heavier as the track progresses. Totally crazy and full of energy, a track that would fit perfectly into an action / sci-fi trailer.
02:39
85 BPM
Main
WPM056 JAMES BERKELEY - Glitch
Soft organ chords and delayed drums open this track, with crunchy synths and sound design adding the layers. At 01:14 roaring bass stabs provide intensity and an element of danger. 01:43 heavily processed adlib vocals join the mix, providing texture and some light relief. Prepare yourself though, for at 02:44 extreme impactful bass hits complete with wild glitches and sound design elements punch you square in the chops! Tough, unique, distinctive and certainly not to be messed with. Would work well as part of an action / sci-fi trailer.
Main
WPM056
JAMES BERKELEY - Glitch
04:13
Soft organ chords and delayed drums open this track, with crunchy synths and sound design adding the layers. At 01:14 roaring bass stabs provide intensity and an element of danger. 01:43 heavily processed adlib vocals join the mix, providing texture and some light relief. Prepare yourself though, for at 02:44 extreme impactful bass hits complete with wild glitches and sound design elements punch you square in the chops! Tough, unique, distinctive and certainly not to be messed with. Would work well as part of an action / sci-fi trailer.
04:13
130 BPM